The Pit in Black and White

While producing full-color comics online can carry large loads of symbolic choices in shades and tints, the relentless black of India ink offers an equally evocative set of possibilities. In Banquet (2016-2018), Anne Szabla takes the latter route to fine success. The story of a toddler lost to the depths of Hell—via a hole in New Boston’s Boylston Street (hardly a difficult setup to imagine as unvarnished truth!)—deserves all the appearance of deepest dark an artist can construct and Szabla is equal to that task.

This webcomic isn’t a one-joke—or one nightmare—scenario, however. It’s a fully realized tale of nearly mythic proportion, featuring gods, warriors, and the kind of humor that allows readers to follow both the toddler’s experiences (he’s too young to recognize them as travails) and the very human attributes of the residents of this Bottomless Pit of Hell. Fans of Neil Gaiman’s The Graveyard Book can find a read-alike here. Here’s to the power of India ink in the age of pixels.

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