Journalism, librarianship, and teaching all live and die by the sword of facts that inform and reasoned thought with which to shape new understanding. The power of metaphorical devices each of them may use trades on intentionally and openly skewing reality just enough to allow fresh perspective. Sometimes that twist allows for a deep and serious a-ha. And sometimes it’s simply good for a laugh, a laugh that relaxes rather than stupefying.
Thank you, Tina Pratt, for The Paul Reveres. So far our tale of the British (music) invasion, patriotism/anarchy, and characters recognizable from Newbery Medal fiction (Esther Forbes’ Johnny Tremain) as well as wandering into a Henry Wadsworth Longfellow epic from his North End silversmith shop, has unfurled across nine years of beautifully colored panels and cheeky sendups of American Revolutionary War tropes.
With our own era drowning in “alternative facts,” here’s an antidote to overdosing on cynicism: perhaps three panels a day until current reality sees a restoration of fact and reason as the roots of information.
Emma T. Capps has been recognized for her droll and beautifully colored print and webcomics since she was about junior high age. Now that she’s already published in a variety of kids magazines; earned stripes for being the youngest cartoonist Dark Horse Presents (#25, 2013) had collected their on-again-off-again anthology of new work and creators; and seen her webcomic The Chapel Chronicles into print, she’s continuing to concoct lovely work that is both sly and sweet—as well as a literary bonbon eater’s delight.
Welcome to The League of Fonts. The concept of a realm in which typefaces live, from their birth (creation as fonts) until each might fall into eternal disuse, is teased out with such wit that readers will get absorbed in contemplating the properties of identity bound up in those squiggles on the page and screen we typically (!) treat simply as means to an end rather than—as Capps show us—potential ends in themselves. It’s insightful, a fun view of design, but also a potent moral analog.
A word of warning: you may find yourself not only choosing your own fonts carefully after reading Capps, but also asking them if they’d like some tea.
With women in the United States continuing to refuse to step away from both mic and spotlight as they talk back to a Western tradition of white male entitlements, the time is suited to tuning into webcomic “Manfeels Park.” The team of Morag & Erin use commentary (from men) found in current news account and even quoted from found dialog that sits there begging for satiric puns. The art harkens to the title’s Jane Austen roots stylistically and also manages to introduce current day settings for the kinds of occasions in which the particularly featured commentary fits.
This is one of dozens of webcomics archived by the Library of Congress. For their parts, Morag & Erin go the distance to provide source notes for each strip’s commentary. Once a fellow fan of puns, satire, and active counter attacking of mansplaining falls for this gem, there’s some back matter worthy of exploring as well in the Links section of their webcomic, including a not-too-long of other webcomic recommendations, some recommended blogs, and a couple of other projects the creators of Manfeels Park are undertaking online.
With the new year, NSR pushes further into published online content, including a weekly visit to the world of webcomics. This expressive medium has been around for more than three decades. It’s a realm of stories, reports, and visual creativity, some the early forms of later publication in paper or e-resource format. Others have, some will, and, meanwhile, a lot do live long and happy lives in web only form on such graphics-friendly blogging platforms as Tumblr, and through software custom-designed specifically for creating and sharing comics content.
Webcomics give both amateur and professional cartoonists a means for sharing out new content, experimental techniques, and fan art or homages to comics artists. The web has also become a right-sized location to build a following via webcomics to gain monetary support through Kickstarter for eventual paper publication. We’re not going to be dropping into these projects much except to note subject matter themes arising that reflect more broadly on content innovations. Continue reading Introducing Sequential Art Online: Webcomics→
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