A time to (finally) incorporate indie eBooks into library catalogs

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By Emilie Hancock


It’s no secret that technology has impacted reading. As eReading has become more prevalent, readers demand publications in both print and digital formats. Not only has that thirst for varied formats allowed greater freedom for how and when we read — devouring short serials on the bus or listening to audiobooks while running, for instance — it has also allowed more freedom in what, or who, we read. In addition to books available from big publishers, digital publishing has seemingly conjured scores of indie and self-published books out of the shadows. And judging by the success of Hugh Howey and CJ Lyons, among others, readers are happy to include indie books along with those from big-name presses.

However, while most libraries around the country meet patrons’ digital demands by lending eBooks, many have historically been  less than enthusiastic about the idea of adopting indie eBooks. That has been changing in major urban libraries and in the thought leadership of the library world, with good reason. By examining evidence around the consumer demand and affordability of indie eBooks versus eBooks from traditional publishers, we can demonstrate how incorporating indie eBooks into libraries’ catalogs can be good for both patrons and libraries. Continue reading A time to (finally) incorporate indie eBooks into library catalogs

Open Access Week: Knowledge Unlatched launches institutional usage reports and will partner with Language Science Press

Great news during this Open Access Week – Knowledge Unlatched will partner with Language Science Press .  The full press release is below.  Additionally, KU announced today the launch of its institutional usage reports.  More on this feature can be found on the KU press release.  From the PR:  “The reports are based on institutional IP addresses using COUNTER-compliant data provided by one of KU’s official hosting platforms, OAPEN. Until now, KU has been publishing aggregated reports for the Pilot Collection only.” Continue reading Open Access Week: Knowledge Unlatched launches institutional usage reports and will partner with Language Science Press

News Roundup [October 7]

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Watching Pirate Streams Isn’t Illegal, EU Commission Argues (Torrent Freak)

Google experiments with book discovery…and fails (The Average Joe)

Amazon Removes Titles from Kindle Unlimited in Japan, and No One Knows Why (The Digital Reader)

New Research Article: “Is the Digital Talking Book Program Meeting Librarian and Patron Expectations?” (Infodocket)

More Than 500,000 Books From Benson Latin American Collection (U. of Texas Libraries) Now Available via HathiTrust (Infodocket)

Comixology Is Starting Its Own Line of Exclusive Comics (io9)

First Book Partners with Reading Rainbow to Offer Acclaimed Skybrary to Educators Serving Kids in Need (PR Newswire)

‘Spoken Editions’ Section Makes Official Debut on iTunes (Macstories)

Amazon is Now Collecting 15% Tax on eBooks Sold in New Zealand (The Digital Reader)

TeleRead, the world’s oldest ebook news and views site, makes the Library of Congress Web archives (Teleread)

Kindle Unlimited a Victim of Its own Success in Japan? (The Digital Reader)

Hachette Audio Partners with Booktrack on YA Audiobooks (Digital Book World)

Bowker Now Cites at Least 625,327 US Indie Books Published in 2015  (Publishing Perspectives)

Amazon introduces Prime Reading…and hits a sweet spot for many consumers (I Love My Kindle)

Smashwords Enhances Coupon Manager Tool (Digital Book World)

Introducing Prime Reading – The Newest Benefit for Prime Members (Amazon)

New York Public Library Digitizes 137 Years of New York City Directories (Library Stuff)

E-Book Retail Platform Offers Choice of Watermarking or DRM (Copyright and Technology)

ProQuest Makes English Book Archive Available for Japanese Researchers (InfoToday)

News Roundup [September 30]

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eBooks Die While Used Print Book Sales Live On (It Didn’t Have to be That Way (Digital Reader)

Explore 5,300 Rare Manuscripts Digitized by the Vatican: From The Iliad & Aeneid, to Japanese & Aztec Illustrations (Open Culture)

New Data on Use of Public Libraries, Reading Habits, and Bookstores in U.S. (Infodocket)

Stop Kidding Yourself: The ABA Does Not Represent Indie Booksellers (The Digital Reader)

Mozilla trolls the EU’s nonsensical copyright laws with classic memes (The Next Web)

U.S. Copyright Office Seeks Additional Comments For Section 1201 Study (Infodocket)

Reading by Ear (Why audiobook listening expands, rather than derails, our access to literature) (No Shelf Required)

Revealed: How one Amazon Kindle scam made millions of dollars (Zdnet)

Academic Ebook Sales Flat, Preference for E-Reference Up (Library Journal)

Smashwords Coupons Enhanced to Enable More Flexible Book Promotions (Smashwords Blog)

Institutions as a market for digital magazines (Talking New Media)

Materials From Negro Leagues Added to New Baseball Hall of Fame Digital Archive (Infodocket)

Bestseller analysis: Amazon doesn’t need tradpubs…much (I Love My Kindle)

Edition Digital to offer NGOs free use of its Smart Digital Publishing System (Talking New Media)

For many legacy news organizations in Europe, digital disruption comes with new ideas but few answers (Nieman Lab)

Kobo Expands Into Taiwan (The Digital Reader)

Research: Movie Piracy Hurts Sales, But Not Always (Torrent Freak)

AAP: eBook Sales, Publisher Revenues Down in First Third of 2016 (The Digital Reader)

Book of the Week: Didn’t Get Frazzled by David Z. Hirsch

No Shelf Required is an ardent supporter of independent authors around the world producing their work on their own terms and with their own resources. In an effort to draw attention to quality independent literature (fiction and nonfiction published by independent authors and indie publishers), and in agreement with BlueInk Review, NSR highlights reviews of a wide variety of titles published on BIR’s site each week. Enjoy this week’s pick, a debut novel by a Maryland physician.

http://www.blueinkreview.com/book-reviews/didnt-get-frazzled/

About Author

frazzledDavid Z. Hirsch is a practicing physician in Maryland who uses a pen name; he notes that he prefers to keep his professional work and writing life separate and feels that there is  more freedom with writing anonymously. Didn’t Get Frazzled is his first novel.

 

 


About BlueInk Review

BlueInk Review was founded by Patti Thorn, former books editor of the Rocky Mountain News, and Patricia Moosbrugger, literary agent and subsidiary rights specialist. It offers serious, unbiased reviews of self-published books. Reviews are penned largely by writers drawn from major mainstream publications, such as The New York Times and Washington Post, and editors of respected traditional publishing houses. Select reviews appear in Booklist magazine.

Why audiobook listening expands, rather than derails, our access to literature

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Reading by Ear: Who’s the Model Reader?

We seem to be in the throes of a season of debate about whether audiobook listening can be equated with reading print. Several readers who enjoy listening couple that statement with another that notes they feel “ashamed” or “guilty” for taking pleasure in such literary participation. Print readers who advertise how they are “against” audiobooks note that they themselves read print books with no other accompanying activity while only listen when otherwise engaged; that they don’t attend to detailed passages when they are “only” hearing them. There are even the overly self-confident naysayers who forthrightly declare that those other people who suggest listening to books is participating in literary culture are either pranking themselves or spreading a vile cancer upon the literary landscape. Continue reading Why audiobook listening expands, rather than derails, our access to literature

News Roundup [September 23, 2016]

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How a café in Croatia became an open virtual library (and what it teaches us about the future of books) (No Shelf Required)

Kindle Unlimited Funding Increases Slightly in August 2016 (The Digital Reader)

Research Tools: USDA Releases New Database with Nutrition Info For Over 80,000 Brand Name Food Products (Infodocket)

Kobo Aura 2016 vs. Kobo Glo HD vs. Kindle Paperwhite (comparison) (Password Incorrect)

The Kindle Reading Fund will make books more accessible around the world (Ebook Friendly)

Creative Commons licenses under scrutiny—what does “noncommercial” mean? (Ars Technica)

Download our new #Frankfurt @Book_Fair preview magazine free (Publishing Perspectives)

2016 Trend Report: What publishers need to know (The Average Joe)

Copyright Is Not an Inevitable or Divine Right, Court Rules (Torrent Freak)

e-Book Cover Design Awards, August 2016 (The Book Designer)

Comic Book Readers Still Prefer Print Over Digital (InfoDocket)

Facebook begins using artificial intelligence to describe photos to blind users (The Verge)

NSR Post: A time to soar above the level plain of tradition (No Shelf Required)

New Partnership between EBSCO and Mackin Makes Accessing eBooks Easier for Schools (Library Stuff)

Google Books will now make better suggestions on what to read next (Techcrunch)

Former Disney Digital Boss Says He “Loves Piracy” (Torrent Freak)

Keio University Offers “Introduction to Japanese Subcultures Post-1970” Online Course For Free (Crunchyroll)

Stop Piracy? Legal Alternatives Beat Legal Threats, Research Shows (Torrent Freak)

Students and universities set to reap the benefits of market-leading e-book pilot (JISC)

Aberystwyth University share their digital storytelling experiences (JISC)

How a café in Europe became an open virtual library (and what it teaches us about the future of books)

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No Shelf Required announced on Thursday that Café Velvet in Zagreb, Croatia, opened its doors on September 22 with a new mission: to not only serve first-rate coffee and cake but to allow its guests to access a Virtual Library of 100,000 (and counting) titles in several languages and to read to their hearts’ desire (using an access code) without paying for any of it. In other words, Café Velvet is the world’s first Café turned into a Free Reading Zone.

How do I know it’s the first? Because I run this initiative, and this was the first time we turned a café into a Free Reading ZoneSM —the kind your local library simply wouldn’t be able to pull off without the right technology. Allow me to share the story behind how it all came together and why I think the Velvet story serves to remind us that books are asking (begging, in fact) to be read freely online, just like we enjoy all other creative mediums in digital format for free (music, articles, news stories, etc.). And that the whole world, it seems, is waiting for us—the book industry—to get our act together so that books in digital format can realize their full potential.

In the beginning

As fate would have it, I met Yoav Lorch, CEO and Founder of Total Boox, in 2013. At the time, Total Boox was a new entrant into the ebook market and a company from Israel on a mission to change the world of reading. How, I asked him. Simple, he said. “We will make all of the world’s books available for reading upfront (by asking publishers to give us their entire catalogs; no buying in advance), we will expose them for reading, and we will pay publishers for what was actually read. We will charge readers (or whoever pays for the reading) only for what was read (not downloaded).” In other words, books and knowledge will flow in all directions, and readers will be in charge of what they want to read (not publishers or libraries).

I remember our meeting like it was yesterday. We set in a café right across the street from the New York Public Library on Fifth Avenue and he offered me the job of helping Total Boox build a collection of titles that would be always available for reading. No restrictions. No barriers. No expirations. Little did we know then that a few years later, we’d be turning cafes around the world (like the one we were siting in that day) into Free Reading Zones and open virtual libraries using the brilliant ebook model he came up with. And little did we know that neither of us would be in New York to do it. Continue reading How a café in Europe became an open virtual library (and what it teaches us about the future of books)

Croatia is home to the First Café in the world turned into a Free Reading Zone

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No Shelf Required is pleased, honored, and thrilled to announce that Café Velvet in Zagreb (Croatia’s capital) is the first café in the world turned into a Free Reading ZoneSM. Guests of the café (located in downtown Zagreb, on the iconic Dezmanova Street) can log into a Virtual Library (via any iOS and Android smartphone and tablet) and access thousands upon thousands of books in several languages, including English, Spanish, French, German, Italian, and Croatian, among others. The locals may enjoy literature in their native language while countless tourists who visit the country’s’ capital each day can read in other languages. All they need is to log in using an Access Code provided by the café.

The technology is powered by Total Boox, ebook service known to U.S. publishers and librarians for its revolutionary ebook model which makes ebooks instantly available, with no limitations, holds, or expirations, while paying publishers for reading. Readers may browse Total Boox’ collection of 100,000 titles, which includes books in all categories—from literary and genre fiction to poetry and philosophy; from cookbooks, arts, and photography to sports, entertainment, and travel; from children’s books and YA literature to professional and scientific literature. Publishers represented include an array of world-class brands from around the globe, including, to name a few, Lonely Planet, Workman, Sourcebooks, F&W Media, O’Reilly, Other Press, Elsevier, New World Library, Marshall Cavendish, Berret-Koehler, Lerner, and Berlitz.

The Free Reading Zones initiative was launched in 2016—under the leadership of Mirela Roncevic, Managing Editor of No Shelf Required, and in cooperation with Total Boox—with the goal to spread reading to various public and private spaces beyond libraries and endow them with culture. These ‘zones’ may be sponsored by private and public institutions, corporations or government entities and include, among others, parks, hospitals, trains, airports, schools, universities, cafes, etc. When Free Reading Zones are sponsored by libraries, users inside the zone access the collection via their active library card; when sponsored by private entities (as in the case of Velvet Café), readers simply log in using an access code. They may also continue reading once they leave ‘the zone.’

“It’s truly an honor to lead such an important initiative, and to take it outside the United States,” said Roncevic. “It’s strongly aligned with the mission of No Shelf Required—to educate, enlighten, and inspire everyone inside and outside the book industry about what ebooks and digital content can do for literacy. In short, they can transform the world into a place where access to knowledge flows freely in all directions. There is a way. And we are paving it together.”

Read Mirela Roncevic’s editorial on how it all came together here.

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Zagreb, 06.12.2014 - Praznicki ukraseni kafici

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Book of the Week: A Pigeon’s Tale by S.A. Mahan

In an effort to draw attention to quality independent literature (fiction and nonfiction published by independent authors and indie publishers), and in agreement with BlueInk Review, NSR highlights reviews of a wide variety of titles published on BIR’s site each week. Enjoy this week’s pick.

http://www.blueinkreview.com/book-reviews/a-pigeons-tale/

About Author

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S.A. Mahan writes children’s books and stories for young adult readers, gaining  her inspiration from hiking in the Rocky Mountains and her love of adventure. In addition to being an author, Mahan is a fiber artist, barista, and rancher. She lives in Colorado with her husband. This is her third book.


About BlueInk Review

BlueInk Review was founded by Patti Thorn, former books editor of the Rocky Mountain News, and Patricia Moosbrugger, literary agent and subsidiary rights specialist. It offers serious, unbiased reviews of self-published books. Reviews are penned largely by writers drawn from major mainstream publications, such as The New York Times and Washington Post, and editors of respected traditional publishing houses. Select reviews appear in Booklist magazine.

News Roundup [September 16, 2016]

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Every Friday, NSR releases a compilation of news stories related to ebooks, epublishing, elibraries, and digital literacy from around the world and from various news sources. The goal is to help information professionals (of all walks of life) keep up with what is happening in the world of ebooks and econtent beyond the confines of their organizations, institutions, countries, and continents.

This is by no means an all-inclusive list of the most important news that occurred this (or any other) week. But it is a curated list, and a way for NSR to not lose sight of the big picture.  Enjoy this week’s compilation.


Academic libraries are shrinking, while content is growing. How did we get here? (No Shelf Required)

Hop in and fire up ‘Citroen Origins’ virtual museum website (Autoblog)

80,000 Students Receive Digital Library Card (Good Ereader)

One of the most frequently overlooked cornerstones of effectively #publishing digital content is semantic tagging (Aptara)

Europe’s biggest and best digital publishing conference is coming. Here’s @philipdsjones on #FutureBook16. Join us! (The Bookseller)

Comic book readers still prefer print over digital (USA Today)

Bonnier Books CEO Jacob Dalborg: ‘Digitization Is Not Necessarily Evil’ (Publishing Perspectives)

Streaming, abonnement : 25 % du marché de l’ebook d’ici 3 ans (Hélène Merillon, Youboox) (Actualitte)

Amazon adds another Prime benefit: Audible Channels and free audiobooks (Techcrunch)

Bookboon Brings Free eBooks to South African Commuters (The Digital Reader)

Open Ebooks Announces Compatibility with Clever (Digital Book World)

Pearson, Follett Partner on Digital Textbook Program (Campus Technology)

Copyright reform fails EU citizens in favour of industry (Open Rights Group)

It’s official — ebooks really are books and Euro tax could plummet (Roger Packer)

A Promising New eBook Reader for Linux Appears (OMG Ubuntu)

Download: Publishing Perspectives Fall 2016 Magazine (Publishing Perspectives)

European Commission introduces copyright on links… that’s right, hyperlinks (Privacy Online News)

This Ebook Publisher Doesn’t Have Authors. It Has Writers’ Rooms (Wired)

Museum of Modern Art Digital Archive Goes Live Tomorrow, Thousands of Images, Documents Will Be Accessible Onlin (Infodocket)

Shelfie Announces Launch of Ebook Deal Finder (Library Stuff)

Paul Klee, for Kids | Touch and Go (School Library Journal)

Snakes, Mandrakes and Centaurs: Medieval Herbal Now Online (Medieval Manuscripts Blog)


Paul Biba is former Editor-in-Chief of TeleRead. For his curated ebook/elibrary/epublishing news, follow him on Twitter @paulkbiba.

Mirela Roncevic is Managing Editor at No Shelf Required. For all NSR-related news and reviews, follow her on Twitter @noshelfrequired. For her creative and all things related to creativity and literacy, follow her on Facebook.

Book of the Week: What Remains by Tracey Lee

In an effort to draw attention to quality independent literature (fiction and nonfiction published by independent authors and indie publishers from around the world) and in agreement with BlueInk Review, NSR highlights reviews published on BIR’s site each week. This week’s pick is Tracey Lee’s novel What Remains.

http://www.blueinkreview.com/book-reviews/what-remains/

About Author

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Tracey Lee is a former schoolteacher from Southern Australia. After 32 years of teaching, she is now pursuing her love of writing fiction. Lee notes that she finds inspiration for her work from observing human behavior. Many of her stories relate to ordinary people and their response to extraordinary events.  The author received her Master’s in Creative Writing from the University of Canberra, and is currently living in New South Wales with her husband.

 


About BlueInk Review

BlueInk Review was founded by Patti Thorn, former books editor of the Rocky Mountain News, and Patricia Moosbrugger, literary agent and subsidiary rights specialist. It offers serious, unbiased reviews of self-published books. Reviews are penned largely by writers drawn from major mainstream publications, such as The New York Times and Washington Post, and editors of respected traditional publishing houses. Select reviews appear in Booklist magazine.

Academic libraries are shrinking, while content is growing. How did we get here?

New ZeoliAcademic library staff has been shrinking for 2 decades, while the quantity of scholarly content has grown exponentially.  In the 1960s Richard Abel & Company began the Approval Plan service as a systematic approach to help libraries manage the volume of new books published.  Libraries rely on vendor services (i.e., companies catering to libraries) to discover and acquire much of scholarly content.  Since the 90s, libraries have also depended on vendors to provide shelf-ready services for print books, customized cataloging, to manage financial transactions electronically, and to maintain online interfaces to support collection development and acquisitions processes.  Ebooks brought another layer of labor and complexity to library workflows.

Ebooks elbowing their way into the landscape

Within a decade of their birth, ebook aggregators entered mainstream library collecting.  Initially, the ebook appeared as just another format or manifestation of the print book; the library choice expanded beyond paper or cloth to include ‘e’ versions (in many cases PDFs).  Technology changed this: ebook models have upset the balance in traditional library collecting and continue to challenge traditional understandings not just of collection development, but of the role of the academic library.

The ebook aggregators’ business models exist outside the realm of print books – except as a distribution model on which to piggyback for just as long as necessary (think ‘the scorpion and frog’ fable).  The business of the aggregator is to sell ebooks, not books.  Aggregator ebook platforms are designed for this purpose.  Each is different from the others in design (technical as well as strategic):

  • User interface & experience
  • Library acquisition models
  • Library control of patron access
  • Publisher control over: 1) Library acquisition models; 2) License terms for each model; and 3)  ‘Triggers’ to purchase and loan (Patron-Driven Acquisitions – PDA / Short-Term Loan – STL / Evidence-Based Acquisitions – EBA)

‘Standards’ in the industry exist only to the degree necessary for one company to compete with another (‘not-for-profits’ are not exempted!).  Focus has been split 3 ways:

  • Competition to win market-share
  • Sustainable development of the market
  • Alternatives to ‘unsustainable models’

To a large extent, the futures of libraries and publishers live at the margins of these considerations. Continue reading Academic libraries are shrinking, while content is growing. How did we get here?

News Roundup [September 9, 2016]

News Roundup

Every Friday, NSR releases a compilation of news stories related to ebooks, epublishing, elibraries, and digital literacy from around the world. The goal is to help information professionals (of all walks of life) and ebook supporters keep up with what is happening in the world of ebooks and econtent beyond the confines of their organizations, institutions, countries, and continents.

This is by no means an all-inclusive list of the most important news that occurred this (or any other) week. But it is a curated list, and a way for NSR to not lose sight of the big picture. Here’s the thinking behind what we choose to highlight. Enjoy this week’s compilation.
New York: “Queens Library Launches Digital Archives” (Infodocket)

Preview ICER 2016:Ebooks Design-Based Research & Replications in Assessment & Cognitive Load Studies,by @guzdial (Computing Education Blog)

How to add fonts to the Aura One or other Kobo ereaders: Why won’t Amazon let us do this? (Teleread)

Major Publishers are hurting. It’s easy to see why: (Hugh Howey)

eBook pricing resembles three dimensional chess (Idealog)

Reabble is an RSS Feed Reader for Your Kindle (The Digital Reader)

BookShout and T-Mobile Partner to Distribute 237,000 Ebooks (The Digital Reader)

A Return to Print? Not Exactly (Bloomberg)

Whale Math: If Reasonable eBook Prices Devalue Books, Then What About This? (The Digital Reader)

New report by Bowker: Self-Publishing in the United States, 2010-2015, Print and Ebook (Bowker)

Start Saying Goodbye to eBook Pagination (Go to Hellman)

Kobo, OverDrive Post Instructions on How to Use Library eBooks on the Aura One (The Digital Reader)

BookShout Partners With T-Mobile to Distribute 237,000 eBooks (The Digital Reader)

Survey on E-Book DRM Licensing (Copyright and Technology)

Why PRH Sold Author Solutions: Business Dropped by a Quarter in 2015 (The Digital Reader)

Colleges making up English and maths GCSE shortfall given lifeline with free e-books (JISC)

Why the Hammer Museum’s new free digital archives are a game changer (Library Stuff)


Paul Biba is former Editor-in-Chief of TeleRead. For his curated ebook/elibrary/epublishing news, follow him on Twitter @paulkbiba.

Mirela Roncevic is Managing Editor at No Shelf Required. For all NSR-related news and reviews, follow her on Twitter @noshelfrequired. For her writings related to books and all things creativity and literacy, follow her on Facebook.

Unlocking knowledge means empowering people, and MIT is setting a powerful example

MIT OPenCourseWare

No need for an elaborate introduction here about what exactly MIT is doing by opening up their digital content online. Best to start by simply quoting Dick K.P. Yue, Professor at MIT School of Enginnering: “The idea is simple: to publish all of our course materials online and make them widely available to everyone.”

If you haven’t heard about MIT OpenCourseWare (OCW), here is the scoop. It’s intended not just to help educators at MIT improve curricula and make learning more effective for those enrolled at MIT, but to invite independent learners anywhere in the world to use the school’s course materials in their own educational pursuits and at their own pace. In other words, they are free to ‘take’ the course in the privacy of their own home by following full notes and having full access to materials every step of the way.

This is admirable. Truly admirable. And this is what the leaders among us who recognize the true value of digital content do: they open it up to the world. They eliminate all frictions and find ways to bypass man-made rules and institutions and simply make knowledge available to all. They have outgrown all unnecessary discussions of print and digital competing, and about complicated models that serve the select few, they recognize that unread/unused content has little to no value, and, most of all, they are pushing their own ‘institutional’ status quo by embracing the idea that learning never stops and that it is our collective responsibility to educate the world beyond the confines of university walls at a time when, despite all of the technological advances the world has seen, more than 90 percent of its population is not college-educated.

In a way, one can even argue that the same way the print book (the physical ‘paper’ object) is the container we buy, while consuming the content inside for free online (well, not really, but we hope to get there one day, don’t we?), the brick-and-mortar institution becomes the ‘experience’ we now buy (to directly engage with others, including professors and fellow students), while consuming the content (from course materials) online for free. So if we can’t afford to ‘be there’ in person, we can still afford to do it on our own terms.

Everything related to one’s ‘physical experience,’ then must come at a price, for obvious reasons: books must be printed (and before that, they must be written and produced); professors’ time must be paid, and the school’s expenses must be covered. In the same way, we are now able to listen to music for free online, while we must pay to attend a concert or by a CD or an LP (those of us who still collect them).

If we are able to recognize that digital content helps us open up knowledge to the world virtually while doing no harm to the ‘physical experience,’ we are able to create a circle in which everyone benefits. In fact, digital content and its widespread availability enhances the value of the ‘physical’ experience. All other creative mediums have caught on to this but books and textbooks. Initiatives like the one at MIT are a step in that direction.

Materials from 2340 courses are available, and the site is visited by millions. Each course includes lecture notes, slides, videos, instructor insights, Further Study listings, and much more. Here is a list of the most visited courses. MIT accepts donations to keep the operation running. For more info, go here.

Unlocking knowledge means empowering people not only beyond the university but beyond the borders of the United States of America. MIT is setting a powerful example.

Book of the Week: The Cannabis Revolution by Stephen Holt

In an effort to draw attention to quality independent literature (fiction and nonfiction published by independent authors and indie publishers), and in agreement with BlueInk Review, NSR highlights reviews of a wide variety of titles published on BIR’s site each week. Enjoy this week’s pick.

http://www.blueinkreview.com/book-reviews/the-cannabis-revolution/

About Author

Stephen HoltStephen Holt, MD, has written over 25 books relating to medical issues such as aging, osteoporosis, weight loss, and sleep deprivation. He is the founder of Holt Institute of Medicine in New York and an emeritus professor.  Holt holds a medical degree from Liverpool University Medical School and is a board certified Internist and Sub Specialist in the US, UK, and Canada.

 


About BlueInk Review

BlueInk Review was founded by Patti Thorn, former books editor of the Rocky Mountain News, and Patricia Moosbrugger, literary agent and subsidiary rights specialist. It offers serious, unbiased reviews of self-published books. Reviews are penned largely by writers drawn from major mainstream publications, such as The New York Times and Washington Post, and editors of respected traditional publishing houses. Select reviews appear in Booklist magazine.

 

Who decides? [what, how, and when people should read]

This post, recently published on Facebook by NSR Managing Editor, was addressed to book readers (not book professionals). But publishers, librarians, authors, editors, distributors, and all others in the business of creating, selling, and managing books would benefit from asking the same questions. If for no other reason than for the simple fact that they, too, are book readers before they are book professionals.


locked up

Who decides?

In 2016, human creativity is exploding online. Right here, on Facebook. We admire paintings and sculptures from museums in far-away countries, we watch videos, share photographs, listen to music, read articles. Everything is within reach, and everything is free. At the same time, the world’s knowledge is locked up in books, which still carry a high price tag.

In 2016, every man should ask: Why can’t we read books freely online like we read everything else? Are publishers and librarians doing enough to maximize the potential of the ebook in ways we haven’t seen before? Is what we see in bookstores and libraries all there is out there to read? Should others decide what I will read, how, and when? Why are we talking about the love of paper and not about the love of learning and the ability to get to the right information at the right time? What if there wasn’t even competition between the two formats (print and electronic)? What if there was already a way to open up books online so that everyone benefits, including those who create them? How much do I even know about the technologies supporting the growth and development of ebooks as free mediums? Why isn’t anyone teaching me?

In 2016, every man should ask: Why don’t we have free access to knowledge and the written word online? When will we have it? And who decides?


Opinions my own.

Mirela Roncevic is Managing Editor at No Shelf Required. For all NSR-related news and book reviews, follow her on Twitter @noshelfrequired. For her writings related to creativity, writing, and literacy, follow her on Facebook.

News Roundup [September 2, 2016]

News Roundup

Every Friday, NSR releases a compilation of news stories related to ebooks, epublishing, elibraries, and digital literacy from around the world. The goal is to help information professionals (of all walks of life) keep up with what is happening in the world of ebooks and econtent beyond the confines of their organizations, institutions, countries, and continents.

This is by no means an all-inclusive list of the most important news that occurred this (or any other) week. But it is a curated list, and a way for NSR to not lose sight of the big picture. Here’s the thinking behind what we choose to highlight. Enjoy this week’s compilation.
Belgians are Hunting Books, Instead of Pokémon (The Digital Reader)

Subway Reads Brings Free eBook Excerpts to NYC (The Digital Reader)

I’m blind. Kindle text to speech has been a nightmare to master—here’s how to fix this (Teleread)

France Passes Copyright Law Demanding Royalties For Every Image Search Engines Index Online (Techdirt)

Amazon Launches Telugu Language Online Bookstore (The Digital Reader)

Podcast: 10 Trends Driving the Future of Publishing with Mark Coker (Self Publishing Advice)

South Carolina State Library Adds Over 19,000 Documents to South Carolina Digital Library (Infodocket)

Independent authors are starting to outsell the Big Five (The Writer)

In-depth review of Kobo’s Aura One: It’s Pre-order Day #1 (Teleread)

Announcing 2016 Digital Book Printing Conference (Book Business)

Harvard Is Digitizing Nearly 40 Million Pages Of Case Law So You Can Access It Online And For Free (Library Stuff)

Diaries of General George S. Patton (1910-1945) Digitized and Now Available Online (Infodocket)

Kobo Aura One as a PDF eReader: No, Just No (video) (The Digital Reader)

Rx for the Kindle text-to-speech mess—to help blind and sighted alike (Teleread)

Cooper Hewitt Design Museum: Mass Digitization Effort Complete, More than 200,000 Objects Now Accessible Online (Infodocket)

Timberland libraries now offer access to self-published books (Publetariat)

Review Round-Up: Kobo Aura One (The Digital Reader)

Axiell and ODILO Offer Better Digital Content Access (Information Today)

ProQuest Introduces Enhancements and New Options for Books and Ebooks (Information Today)

Cambridge Core is the new academic platform from Cambridge University Press, launching on the 4th September. (Ebooks@Cambridge)

This Fall, we will partner with the French Comics Association to promote the #comicsframed festival. #NYC stay tuned for exclusive news! (French Culture)

Writer is Self, Author is Ego [and an Editor would like to apologize] (No Shelf Required)


Paul Biba is former Editor-in-Chief of TeleRead. For his curated ebook/elibrary/epublishing news, follow him on Twitter @paulkbiba.

Mirela Roncevic is Managing Editor at No Shelf Required. For all NSR-related news and reviews, follow her on Twitter @noshelfrequired. For her writings related to books and all things creativity and literacy, follow her on Facebook.

Writer is Self, Author is Ego [and an Editor would like to apologize]

Writer vs. Author

What is a writer? What does it mean to write? I searched high and low for answers, looked left and write, and came to this conclusion:

Writer is — any man or woman willing, learning, or already able to express him or herself through writing in order to grow spiritually, emotionally, and intellectually and to contribute to a larger community by sharing one’s own experience with others for the sake of augmenting collective consciousness.

What is an author? What does it mean to author? I searched high and low for answers, looked left and right, and came to this conclusion:

Author is —  a man or woman selected by an institution or organization to express him or herself through writing in order for that institution or organization to grow financially and through branding and to contribute to a larger community by sharing his or her experience with others for the sake of augmenting budgets of institutions and organizations and salaries (and titles) of those who run them and who deemed that man or woman ‘worthy.’ Collective consciousness also grows this way, but it is controlled by the institution which exercises tremendous power over that consciousness. This institution can be a private entity which first identifies the author (e.g., established publisher) or a public entity which, often in cooperation with an established publisher, chooses to nurture the author and the spreading of his or her message (e.g., library).

Writer creates. Writer is an artist. Writer is self. Writing is liberty. Writing is personal growth. That which is written only asks to be read.

Author controls.  Author is a brand. Author is ego. Authoring is power.  Authoring is institutional growth. That which is authored only asks to be sold.

Writer =  Creation. Art. Self. Liberty. Personal growth. Reading.

Author =  Control. Brand. Ego. Power. Institutional growth. Selling.

Author =Authority

[As concluded by a professional book editor and book reviewer who spent 20 years of her career telling everyone she believed that a) writing was hard work, b) not everyone can or should write, c) we needed publishers and libraries to tell us what is worthy, and d) being rejected by publishers and libraries means that you are less worthy and you should not write (and therefore not participate in creating). She would now like to apologize.]


Opinions my own.

Mirela Roncevic is Managing Editor at No Shelf Required. For all NSR-related news and book reviews, follow her on Twitter @noshelfrequired. For her writings related to creativity, writing, and literacy, follow her on Facebook.

 

Audiobook Highlight: The Short Reign of Pippin IV by John Steinbeck

Audiobooks are ebooks. Listening is learning. In an effort to raise awareness among readers and all who work with books about the versatility of digital literacy, NSR occasionally publishes audiobook reviews of titles of exceptional quality to draw attention to the subtle (but consistent) ways in which formats are blurring in digital environments.
This week’s pick is John Steinbeck’s The Short Reign of Pippin IV. In the words of NSR reviewer, “with current headlines, this political screwball comedy will be much appreciated.”

Z04217_image_148x230[1]Title: The Short Reign of Pippin IV
Author: John Steinbeck
Narrator: Jefferson Mays
Publisher: Recorded Books
Release Date: 2016

Duration: 4 hours

Reviewed for NSR by Michael Rogers (Babylon, New York)

 

John Steinbeck often tackles the affairs of the common man and the political climate that impacts him, but usually in a serious tone (The Grapes of Wrath isn’t exactly a barrel of laughs). This 1957 novel also incorporates those themes, but Steinbeck shows a different side of himself by presenting them in a wicked satire so biting that Jonathan Swift would be envious. Continue reading Audiobook Highlight: The Short Reign of Pippin IV by John Steinbeck

Portal on all aspects of ebooks and digital content and for all creating, reading, publishing, managing, curating, and distributing the written word and other content in digital format, including publishers, writers, editors, content developers, distributors, educators, librarians and information science professionals. Managed by Mirela Roncevic, with contributions from professionals and thought leaders in the United States and around the world.