A colleague forwarded me an Outsell article about a new venture, BookRiff.Â Ned May, who wrote the article, states, “Bookriff, yet another digital publishing platform, will soon go live. Yet while it is entering a crowded field, this one is worth a close look as it has the potential to take hold, and significant potential to disrupt.”
According to the BookRiff blog, users can create their own book by piecing together chapters, articles, or other content.Â Users pay for content which is delivered in a variety of formats (print-on-demand coming soon) and rights holders are given royalties. Â The BookRiff goal is to be fun and easy to use.
More from the Outsell article:Â “What makes BookRiff unique is its focus on enabling the creation of new works by providing a seamless platform for supporting the necessary business rules. Leadership of the company believes there is a broad market for these new compilations of content if they can be effortlessly assembled while respecting all the rights, permissions and pricing of the underlying parts. To that end, they have built a core technology platform that enables a license holder to easily upload, separate, tag and set a price for content while also setting rules for redistribution. By default, books are broken into chapters for resale but the system will accept any subdivision the content creator wants to offer. The required file format for ingestion is ePub and the platform checks the integrity of the file before posting to the system as well as using the underlying coding to determine chapter breaks.”
Sylvia Miller, Project Director for â€œPublishing the Long Civil Rights Movement,” University of North Carolina Press has given me permission to post in entirety, the following.Â It is a summary of the Long Civil Rights Movement pilot project, which took place over the past 14 months.
This post contains 4 sections:
1. Close of the online pilot
2. The expected, the unexpected, and in between
3. What did we learn?
4. What is next for the LCRM Project?
Yesterday I spoke with Dr. Sven Fund, the CEO of DeGruyter.Â News to me, DeGruyter has been publishing for 262 years! We discussed DeGruyter’s ebook program including their e-ditions program.Â E-ditions provides “on demand” requests for digital or print copies of thousands of backlist titles.Â Listen to the interview here.
Over 30 interviews with librarians, publishers, aggregators, and others in the information industry are available on the NSR interviews page.
From Eric Hellman’s Go To Hellman blog.Â Please offer your comments to Eric at the Go To Hellman blog.
Here’s the third section of my draft of a book chapter for a book edited by No Shelf Required‘s Sue Polanka. I previously posted the introduction; and What does Open Access mean for eBooks subsequent posts will cover Open Access E-Books in Libraries. Note that while the blog always uses “ebook” as one word, the book will use the hyphenated form, “e-book”. The comments on the second section prompted me to make significant revisions, which I have posted.
Business Models for Creation of Open Access E-Books
Any model for e-book publishing must have a business model for recouping the expenses of production: reviewing, editing, formatting, design, etc. In this section, weâ€™ll review methods that can be used to support Open Access e-book publishing. Continue reading Open Access eBooks, Part 3
This panel discussion was moderated by Dick Kaser from Information Today. Â Speakers included Ken Breen, EBSCO Publishing, Leslie Lees, ebrary, Bob Nardini, Ingram, and Mike Shontz, OverDrive.
Each panelist had 5 minutes to discuss who they serve and business models they offer.
Ken Breen, EBSCO Publishing
Inventory on Demand in the Digital Age
Panelists: Â Laura Baldwin, O’Reilly Media and Phil Ollila, Ingram
Laura – reality of our biz, print and retail is still the bulk of the business. Print erosion cost, shipping costs, printing expenses, safety stock, operating capital are all factors in the profit/loss of publishers.
Strategically they wanted to deplete the amount of inventory and instead, make content available anywhere/anytime in a variety of formats. People expect faster cycle times (and not only in production).
Freedom plan – determine how to spend the capital. Â Offset/digital short run (much smaller print runs, focused on shelf space awareness), back it up with print-to-order, combined with great forecasting tools. Continue reading TOC – Inventory on Demand in the Digital Age
Wow, University Presses are in the news this week.Â This is the 5th press release I’ve gotten!
Ingram Content Group Inc., announced agreements with two notable university presses for e-content management. The University of Michigan Press and The University Press of Kentucky have selected Ingramâ€™s digital asset management platform, CoreSourceÂ®, to archive and distribute materials to partners worldwide.
The University of Michigan Press, part of the University of Michigan Library, was founded 80 years ago and is a primary publishing unit of the University today.Â The Press publishes materials in a wide range of humanities and social science disciplines. It recently launched its innovative University of Michigan Digital Humanities Series, which advances understanding of the dynamic relationships between humanities and digital technologies. The Press has a mission of using the best technology to disseminate the information it publishes as freely and widely as possible, while preserving the integrity of published scholarship.Â To further its mission, the Press selected Ingramâ€™s CoreSourceÂ® platform for digital file management and distribution of both frontlist and backlist titles.Â Â Â Continue reading Michigan and Kentucky University Presses Using Ingram’s CoreSource