With the new year, NSR pushes further into published online content, including a weekly visit to the world of webcomics. This expressive medium has been around for more than three decades. It’s a realm of stories, reports, and visual creativity, some the early forms of later publication in paper or e-resource format. Others have, some will, and, meanwhile, a lot do live long and happy lives in web only form on such graphics-friendly blogging platforms as Tumblr, and through software custom-designed specifically for creating and sharing comics content.
Webcomics give both amateur and professional cartoonists a means for sharing out new content, experimental techniques, and fan art or homages to comics artists. The web has also become a right-sized location to build a following via webcomics to gain monetary support through Kickstarter for eventual paper publication. We’re not going to be dropping into these projects much except to note subject matter themes arising that reflect more broadly on content innovations. Continue reading Introducing Sequential Art Online: Webcomics→
In the opening scene of the new and Sacramento-hatred-drenched movie Lady Bird, the title character and her mother are listening to the closing 30 seconds or so of Steinbeck’s The Grapes of Wrath while driving on an August hot highway. They each shed a tear as the audiobook ends and then teenaged Lady Bird pops the cassette—the final of about 20—from the car player and back into its rigid, made-to-crack plastic shell. It’s 2002 and this is how most listeners handle audiobooks. Continue reading #GivingThanks for Digital Audiobooks→
In its grasping attempt to move from ubiquitous to monopolizing, Audible’s new come-on for romance genre consumers apparently leaves the concept of audiobook—as in book—behind. Having sliced and diced the genre’s presentation for paying consumers in more ways than the Kama Sutra suggests positions, they’ve just gone to a level of servicing that might leave both authors and narrators—to say nothing of narrating authors—with the frank understanding that it’s not the books that Audible is moving here, just what the company coyly calls the “good parts.”
Audible Romance already has allowed the fans of this one genre to dine freely at their subscription rate while listeners with interests in other genres or topics are kept to a single subscription “free listen” per month. Beyond that, Audible has parsed its romance genre fare and labeled titles for consumers by every imaginable plotting and character trait. In short, Audible makes sure those romance consumers don’t have to make too many discoveries by actually listening to entire audiobooks, eros forbid they might be confronted by unanticipated kinks, lack of kinks, or casting that wanders outside their comfort zones. Continue reading Less than the Sum of its Parts?→
MINNEAPOLIS —Consortium Book Sales & Distribution, a brand of Ingram Publisher Services, announces five new publishers for the Spring 2017 season: Animal Media Group LLC, Cassava Republic Press, Hoxton Mini Press, Iron Circus Comics and Transit Books. All presses began distribution with Consortium on Jan. 1, 2017, with the exception of Animal Media Group, which began Sept. 1, 2016.
Consortium grew out of a small book wholesaling cooperative in 1985 to become a full-service distributor, earning a reputation as an advocate for independent publishers. Consortium now represents more than one hundred independent publishers from the United States, Canada, Europe, India, and Australia, enabling them to successfully reach the trade, library, and academic markets for their books. More information about Consortium is available here.
Ingram Publisher Services has just announced a joint agreement with NYU Press to provide full-service distribution. From the press release:
“Ingram welcomes NYU Press,” said Mark Ouimet, vice president and general manager of Ingram Publisher Services, PGW, and Consortium. “We are committed to developing services tailored to university presses. The addition of NYU Press helps advance our mission of building a comprehensive, versatile program to advance the global dissemination of knowledge through content.”
Portal on all aspects of digital content and for all creating, reading, publishing, managing, curating, and distributing the written word and other content in digital format, including publishers, writers, editors, content developers, distributors, educators, librarians and information science professionals. With contributions from book and information science professionals and thought leaders in the United States and around the world.