In its grasping attempt to move from ubiquitous to monopolizing, Audible’s new come-on for romance genre consumers apparently leaves the concept of audiobook—as in book—behind. Having sliced and diced the genre’s presentation for paying consumers in more ways than the Kama Sutra suggests positions, they’ve just gone to a level of servicing that might leave both authors and narrators—to say nothing of narrating authors—with the frank understanding that it’s not the books that Audible is moving here, just what the company coyly calls the “good parts.”
Audible Romance already has allowed the fans of this one genre to dine freely at their subscription rate while listeners with interests in other genres or topics are kept to a single subscription “free listen” per month. Beyond that, Audible has parsed its romance genre fare and labeled titles for consumers by every imaginable plotting and character trait. In short, Audible makes sure those romance consumers don’t have to make too many discoveries by actually listening to entire audiobooks, eros forbid they might be confronted by unanticipated kinks, lack of kinks, or casting that wanders outside their comfort zones. Continue reading Less than the Sum of its Parts?