Just as authored, edited, and mass produced books comprise only one segment of the to-be-read universe, audiobooks are not alone in what we can read by ear. We’ve long tuned into broadcast events—live sports, journalists’ reports, opinions and performances—and we negotiate our daily public lives as much by attending to ambient aural messages as to signs and written directions.
With digital preservation and dissemination broadening its capacious notice of aural resources, there is a growing wealth of sound archives that carry “reader” content. The Quietus (http://thequietus.com) offers a fine point of entry into this world of expressive sounds. Earlier this month, the site launched an interactive archives of contemporary Protest Sound. Take a journey on your own, or include this in lower and upper division political science course curricula. Protest & Politics (http://citiesandmemory.com/protest/) gives access to international expressions of government dissent, with the ability to key sound to geography, and a tutorial on different forms of protest. Specific tracks recorded at protest events vary in length and most are long enough to give listeners contextual sounds as a bed for the intentional messaging. Continue reading Expressions, Impressions